Sunday, February 26, 2017

Horcruxes



Just a bit of Harry Potter chat. I've been watching the Harry Potter films again and the story of the Horcrux is intriguing.

There are the seven Horcruxes that Harry Potter had to destroy to defeat Voldemort:

Tom Riddle's Diary
Marvolo Gaunt's Ring
Salazar Slytherin's Locket
Helga Hufflepuff's Cup
Rowena Ravenclaw's Diadem
Nagini

What is the seventh?

First of all, what is a Horcrux?

A Horcrux is an object in which a Dark wizard or witch has hidden a fragment of his or her soul for the purpose of attaining immortality. Horcruxes can only be created after committing murder, the supreme act of evil.

The seventh Horcrux is Harry Potter himself. Part of Voldemort's soul entered Harry when he was a baby and V. killed his parents. Thus, Harry must be killed for all the Horcruxes to be destroyed.

This would have happened in the Chamber of Secrets when Harry was bitten by the basilisk. But the tears of the Phoenix healed the wound and Harry survived.

However this Horcrux business would not be completed until the final conflict between Harry and Voldemort in The Deathly Hallows.

Expecto Patronum!

Sunday, January 8, 2017

Episode 6 - Post Production



Welcome to the final segment of the series. 

Post-production is what to do after shooting is completed. 

1) Editing software - I use Sony Vegas Movie Maker, but there are many other video editing programs. Good films have been created just by using a phone. Today everyone can make movies, which is a good thing!

2) Music - Whether to use music or not depends on what kind of film you are making. Music effects the mood of the film. Even no music at all sends a message. Just be sure to have copyright permission unless you are creating your own music.

3) Credits - Give credit to actors, tech crew and anyone else who contributed to your film, whether through time, talent or finances. Be thankful. Film is a collaborative endeavor...you can't do it alone.

4) Promotion - In today's social media universe, your film can be viewed by anyone. Start a YouTube or Vimeo account and get involved in the filmmaking community.

5) Contests - Check out the various short film festivals and contests. This is another way to get your film seen and to network with the filmmaking community.

Now start making your film! Ready, set, GO! 

Wednesday, November 23, 2016

Episode 5 - Actors



Sometimes when I write a film script, I have certain actors in mind. These are people that I know and have worked with before. So my story is built around my cast.

Other times, the story comes first and I don't think about the actors at all. But sooner or later, I will have to deal with casting.

If you are paying actors, then you could have auditions and can be more selective. But if your actors are volunteers, then you have other issues to deal with. Volunteers have commitments, such as jobs and families, so you have to work around their schedules. You will have to be flexible on days you can film. If they aren't professional, you may have to work with them on learning their lines, etc.

Here are some tips about working with actors on your short film:

Communication. Let the actors know what the story is about and what motivates their characters. Knowledge is a good thing. It also inspires them to think of ideas to enhance the story and their roles. Film is a collaborative effort after all.

Be flexible. Some actors like to go over a scene several times with different ways of performing the scene. You never know what can come from this - it could be truly magical.

Listen to the actors. They may have good ideas for shooting a scene or saying their lines.

Bring food. Feed them, water them, and watch them flourish. This is especially important if the actors are volunteers. It's a great way to show your thanks.

Be mindful of their personalities. Some actors need a lot of detailed direction. Others can fly by the seat of their pants with amazing results.

Be respectful.

Be thankful. Afterward, send them a card of thanks or a token of appreciation.

Build relationships. Having a group of actors that you have worked with before makes the process more efficient because you know what to expect. They are more relaxed because they know what to expect from you.

If you are not an actor yourself, take some acting classes. It will help you as a director and a filmmaker. 

Next time - Post Production

Friday, October 28, 2016

Episode 4 - Location


Location! Location! Location!

As a filmmaker, I am continually inspired by my surroundings. Often, a location will give me an idea for a film. 

Location itself is a story waiting to be told. If I'm walking on a trail in the woods, I might imagine a paranormal creature lurking in the dark. Or I'm sitting in a coffee shop and imagine a woman telling her friend about her new job as caretaker of Alcatraz.  

Here are a few tips for filmmakers regarding location.

1. Do a drive by or a walk through - Look at places that are visually interesting and capture the mood of your film. Look at color, light and space. Visit the location at the time you would shoot that scene, whether day or night, or both. 

2. Interiors - A suburban home? Haunted house? Apartment? Office? Restaurant kitchen? Supermarket? Elevator?

3. Exteriors - Grave yard? Football field? Park? Playground? City street? Swimming pool? Farm?

4. The shorter the film, the fewer locations should be used.

5. Get permission to use privately owned businesses or property. A location release is a document that states the terms of use. 

6. When scouting your location, keep in mind the equipment you will need. Lights, camera, sound, etc. For example, a room with no windows will need special lighting. If you're outdoors, the wind may cause a problem with sound. 

7. If it's a public place, keep in mind the time and day of the shoot to account for crowds. For example, there might be more people in the park on a Sunday afternoon, than during a week day. 

Monday, September 26, 2016

Episode 3 - The Screenplay (Part 2)


Welcome to Episode 3 of Making a Short Film. This segment is part 2 of writing the screenplay. 

For me, writing the screenplay is the best part of filmmaking. I enjoy creating a story and imagining what it will look like as a film. The following guidelines should get you thinking about the nuts and bolts of screenwriting. 

Format: You need to format your screenplay according to industry standards. This is easy, just get a book or look online to read about proper screenplay formatting.

Write for the Camera. When writing a screenplay, you should spend more time writing down what the viewer is seeing rather than what the characters are saying. MORE action, LESS words.  
Action. The screenplay is written using present tense and action words. For examples:

DO NOT WRITE THIS: Gertrude was sitting on the couch eating a ham sandwich.
WRITE THIS: Getrudes sits on the couch and eats a ham sandwich.

DO NOT WRITE THIS: Andy picked up a rock and threw it at the dog.
WRITE THIS: Andy picks up a rock and throws it at the dog.

Length. Your screenplay will average about 1 minute per page. This is calculated using 12-point Courier font, which is the industry standard.

Read. During the process, get some friends together and read scenes out loud. This will let you know how the dialog sounds so that you can make adjustments. 

Resources: My favorite screenplay writing resources are Blake Snyder's "Save the Cat" books. 

Next time we'll discuss the Location

Saturday, September 10, 2016

Episode 2 - The Screenplay (Part 1)


If you've never written a screenplay, my first suggestion is to watch one of your favorite films and take notes on the following: 

What is the mood or genre of the film? Comedy, Horror, Romance, Adventure, War?


What is the opening scene? What happens?

How does this scene connect to the next scene?

Note the tension in every scene. Tension is not necessarily "conflict" but it can be. 

Who is the Main Character and how does the writer/filmmaker get you (the viewer) to like him? What makes you want to root for this character?

What does the Main Character want? What is her goal? What is the thing that drives her to action? 
Examples:
In Jaws - Brody wants to kill the shark
In Rocky - Rocky wants to go the distance with the champ
In North by Northwest - Thornhill wants to find out who's after him and why

What is the inciting incident? This is the incident that begins the story and there is no turning back for the Main Character. In The Wizard of Oz, the inciting incident was the tornado that lifted Dorothy's house and landed in Oz. Now the story begins - she must get back home (which is her goal). She must find the Wizard of Oz and then she must kill the Wicked Witch of the West (the story/the journey).

How do the supporting characters and events help move the story forward?

Next episode: The Screenplay (Part 2)

Sunday, September 4, 2016

Making Short Films - Episode 1 - The Story



As a short filmmaker (well, not really that short - I'm 5 foot 5 inches tall) - I thought I'd post a blog series on what I've learned firsthand about making short films. 

First you need a story.

Where do story ideas come from? Everywhere! 

A book, a movie, a trip, a walk, a conversation, an article, a TV show or commercial, a dream, a child, a pet, an image, a word. 

Just be open to ideas. Grab one that interests you and then ask yourself "what if" questions. Follow the trail to it's logical (or illogical) conclusion:

What if a kangaroo could talk?

What if a doll was alive?

What if a boy found out he was from a different time?

What if a scientist discovered an invisibility formula?

What if a girl found magic shoes?

What if a man was buried alive?

What if you were locked in a jail cell in a ghost town?

Once you have an idea, see where it goes and  create a story with a beginning, a middle and an end.

Next post: Episode 2 - The Screenplay



Wednesday, August 3, 2016

Searching for "5 Flights Up"


Recently my lifelong pal, Alison, and I were looking for a DVD of the movie "5 Flights Up" starring Morgan Freeman and Diane Keaton. 

We are avid fans of both actors. We had watched the film a few months ago and loved it. It's the story of an older couple in NYC who are selling their apartment because it's five flights up and has no stairs. The problem is, they've lived there over 40 years and it's home. The husband is an artist and the wife is a retired teacher. They have no children so they lavish their affection on their little dog, Dorothy, who is sick and needs surgery. The story takes place over a couple of days as they deal with a realtor and open houses. In the middle of all this, an alleged "terrorist' is creating havoc in the city and the authorities believe he has a bomb on the Brooklyn Bridge. 

This is not an action film. It's a smart, clever comedy with a meaningful message about love and relationships. 

Needless to say, we both wanted this film for our collections to watch on those quiet afternoons as we escape the chaos of the world while we drink our coffee and eat our chocolate. It's one of those movies you can watch over and over (like "You've Got Mail," "The Proposal" or "The Devil Wears Prada").

Soon after watching it, I bought the DVD on amazon, but Alison wanted to buy it here in town. So the journey began. 

We started at Target. No luck.
The mall. Not there either. 
Kmart. Nope.
Walmart. Zip.

We called it a day. Alison later told me she went to Sam's Club and struck out. She finally had to order it online. 

The funny part was, when we asked the sales people at all these stores if they had the movie in stock, none of these 20 to 30 somethings had ever heard of it. They looked at us like we were aliens from outer space. 

You would think Morgan Freeman (Batman's right hand man) and Diane Keaton (comic actress extraordinaire) would be on the Hollywood radar. I suppose a well-told story with witty dialog and interesting characters is not enough.

I'm not surprised. The world is changing. It's faster and more furious than ever. But I am grateful that filmmakers are still creating simple, beautiful films.

In the words of Meryl Streep from "The Devil Wears Prada": That's all.  

Friday, July 29, 2016

The Film Club Project


Ever since we won the Cheyenne Shoot-Out Filmmaking Festival in 2011, Susan V. and I have been tossing around the idea of organizing a film club in Cheyenne. 

The purpose would be to encourage local and regional filmmakers and share resources and knowledge about the amazing world of filmmaking. 

This week I was inspired to give this idea serious consideration. First of all, is there interest in something like this in the community? 

I have a cadre of actor friends who are involved in community theatre and who have also volunteered their time and talents in my own films. But they are not necessarily filmmakers. 

What would the club entail?

Support and encouragement for filmmakers by providing resources to help with their projects, whether they need help providing actors, production assistants, information on upcoming film festivals, workshops on lighting, directing, sounds, location scouting, legal issues, fundraising, and more.

It would also be fun to have get-togethers like movie-watching parties or field trips to film festivals.

I would appreciate your comments and suggestions about starting a club/group like this. What worked? What didn't? What would you do differently? 


Friday, July 22, 2016

Novel and Screenplay


I had an interesting conversation with my son yesterday about writing screenplays. Lucas is a husband, father and genius software developer. He's also a gifted blues/jazz pianist.

Like me, he enjoys learning new things and tapping into his creative side. He's been interested in learning to write screenplays and asked me for wisdom and guidance. (That's the cool thing about being a mom and a writer. Just sayin'.)

We discussed the differences between the novel and the screenplay formats. He thought it would be helpful to read a novel and then read the screenplay adaptation of the story. 

At first I thought he should read an original screenplay and not an adaptation, but the more I thought about it, I agreed that he was right. I suggested he read Peter Benchley's novel "Jaws" - and then tackle the screenplay, also written by Benchley along with Carl Gottlieb. This film is a perfect example of excellent storytelling. 



The novel is captivating. The first chapter thrusts you into the world of this shark. The reader experiences everything the shark experiences and we become one with it. We share its view of life in the deep and what it needs to survive, which is its primary purpose.

The story tells of three characters and their personal relationship to the shark - Brody, the police chief who escaped the stress of being a big city cop to live in a peaceful island community. Ironically, he fears the water. Hooper, the scientist who is obsessed with sharks and goes after the shark for glory and fame. And Quint, the rugged fisherman who sees this shark as an enemy he must defeat, exacting vengeance on his fellow soldiers who were killed by sharks in World War II on the USS Indiana. The relationships among the three men and with the shark is what makes this story so compelling. 

The screenplay shows that Benchley kept key elements of the story, and with Gottlieb's screenwriting skill, they transformed the novel into the perfect blueprint for Spielberg's film.

Whether you're writing a novel, a short story, a screenplay or a stage play, its ALL ABOUT THE STORY! If you don't have a good story, you don't have anything.

I'm looking forward to seeing what Lucas comes up with for a story idea for his screenplay. We always have fun brainstorming story ideas together.