Back in 2006, Hubby and I went to see “The Lake House” with Sandra Bullock and Keanu Reeves. No, it wasn’t a double date.
It was a rainy Sunday afternoon when we walked through the doors of the darkened theatre and found seats in the back row. As I looked around, I noticed that most of the people were older couples. Except for a squad of teenage girls that giggled throughout the show. And, of course, there was the lone guy you seen in every movie house in America, sitting dead center with a giant popcorn and large Mountain Dew wearing a “Stupid Is As Stupid Does” t-shirt.
The movie was a romance. A man and woman fall in love ... but an obstacle keeps them from being together. So far, so good.
The obstacle is not what you would expect. One of them dying a slow, painful death from stepping barefoot on a rusty nail? Parents that would rather see their kids joy-riding on the Titanic than to marry? A Park Avenue princess twisting her ankle in the Outback and being captured by renegade armadillos and offered as a sacrifice to a massive stone statue of Sylvester Stallone?
No, the problem is much more severe: Keanu lives in the year 2004 and Sandra lives in the year 2006. Yeah, you heard me right. Time is “not” on their side.
They “meet” at a secluded lake house on the outskirts of Chicago and communicate by writing letters and placing them in the mail box. I didn’t get it, either.
As a woman, I took note of Sandra’s cute outfits and perky hairstyle. She dyed her hair black for this movie. (Is she going gray in real life? Inquiring minds want to know.) She plays the part of a doctor and has virtually no life outside the hospital. I wonder how she manages to find time to flirt with Keanu with all those handwritten letters. It’s the 21st century. Ever heard of email?
Keanu is an architect. Handsome. Sexy. The perfect man. Not a trace of “Bill and Ted” dudism or Matrix mystery. Dressed to kill in L.L. Bean togs, he looks so cool traipsing through the woods in his Acadia hiking boots and multi-pocket cargo jacket with detachable hood and flannel lining … available in camel, chestnut, navy and hunter green.
All the elements for a tear-jerker romance are there: a beautiful, successful, neurotic woman whose loathsome boyfriend is a nerdish, self-absorbed yuppie; a sensitive man with rugged good looks and gentle eyes who was mistreated by his neglectful father; and a lovely house on a lake nestled in a scenic woodland with scurrying squirrels, twittering bluebirds and the unabomber.
The nemesis is time itself. Two people living in the same city in different years. In the end, the lovers meet at the lake house. Don’t ask me how the time thingamajiggy worked out because I don’t know. All that matters is they “lived happily ever after.”
As we left the theatre, hubby and I discussed the film and the concept of time travel. We had this same discussion in 1985 with “Back to the Future” (how in the world did “old” Biff know how to operate the De Lorean time machine, go back to 1955 to give himself the sports almanac, and then fly back to the future? Huh?)
Hubby was quick to point out that there were no car chases, explosions or female nudity. Be we knew this going in. The big question: Did it make sense? The big answer: No. But we liked it anyway.
Later at home as we snuggled on the couch watching the Rockies and the Dodgers game, we came to the conclusion that we are perfectly content sharing the same time dimension. Although, hubby really liked the idea of me living in the future and mailing him scores to baseball games that haven’t been played yet.
